Объектив Салли Манн

{"style_block":{"instruction":"Apply this stylization to the final image generated from the main prompt. The main prompt defines the scene, composition, pose, environment, objects, clothing, action and overall visual content. Any attached reference images are references for identity, appearance and visual consistency only; they are not the target scene and must not be directly reproduced or transformed as standalone photographs. Preserve the referenced person's identity and relevant visual characteristics while rendering the final prompted scene as a highly atmospheric fine-art photograph inspired by the visual language of Sally Mann. The transformation must feel photographic, physical, intimate and materially authentic rather than illustrative, painterly, digitally filtered or generically vintage.","input_priority":"The main prompt defines what is happening and what the final scene contains. Reference images define who the subject is and how that subject should look. The style block defines how the final generated image is rendered. When a reference image and the main prompt differ in scene, environment, pose, clothing, objects or composition, follow the main prompt while preserving the referenced identity and relevant appearance. Do not introduce thematic subjects, locations, historical narratives or environmental motifs associated with Sally Mann unless they are explicitly present in the main prompt.","core_aesthetic":"Intimate, atmospheric fine-art photography built around large-format photographic presence, rich monochromatic tonal depth, imperfect optical character, natural physical detail, quiet ambiguity and the tension between precision and photographic accident. The image should feel observed rather than cosmetically produced, with an expressive balance between sharply resolved subject detail and areas of softness, blur, atmospheric uncertainty or optical imperfection.","visual_language":"The visual language should evoke the tactile presence of an exceptional large-format analog photograph: deep blacks, luminous pale highlights, extensive intermediate tonal values, restrained contrast, subtle warm-neutral monochrome character, soft optical transitions, selective focus, natural motion blur and imperfect but purposeful photographic rendering. The photograph should feel physically made and materially present rather than digitally simulated. Avoid generic retro aesthetics, generic film filters and artificial nostalgia.","medium":"Highly refined large-format analog fine-art photography with the visual character of an 8×10 view-camera negative and traditional photographic printing. Favor the dimensional tonal richness, delicate texture and optical presence associated with large-format black-and-white photography while allowing controlled characteristics of historical photographic processes to emerge where appropriate.","camera":"Create the visual impression of a large 8×10 inch view camera with deliberate framing, substantial negative information, natural optical depth and a contemplative photographic pace. Preserve realistic perspective and spatial relationships. Avoid the compressed, hyper-sharp appearance of modern small-sensor digital photography.","lens":"Use the character of large-format and antique photographic lenses where appropriate: gentle optical softness, subtle spherical aberration, slight field curvature, imperfect edge resolution, localized flare, delicate veiling light and gradual falloff. Optical imperfections must feel physically produced by the lens rather than digitally overlaid.","tonal_rendering":"Construct the image through exceptionally rich continuous tonal modeling rather than graphic contrast. Preserve deep blacks without crushing all shadow information. Maintain luminous highlights and a broad range of delicate gray values between them. Skin, fabric, foliage, architecture and other surfaces should retain subtle tonal separation even in darker areas. The image should feel dense, quiet and dimensional rather than harsh.","palette":"Predominantly monochromatic black, charcoal, graphite, warm gray, silver, muted ivory and slightly warm photographic neutrals. Allow subtle brown, amber or warm-gray tendencies only where they emerge naturally from the physical photographic process. Avoid obvious sepia toning, colored vintage filters, saturated colors and artificial color grading.","focus":"Use selective large-format focus with a natural separation between the focal subject and surrounding space. The primary subject may contain remarkably fine detail while nearby and distant areas gradually dissolve into optical softness. Focus transitions should feel produced by real optics and depth of field rather than artificial portrait-mode blur.","motion":"Allow restrained motion blur when physically plausible, especially during longer exposures or moments of subtle subject movement. Motion should create uncertainty and atmosphere rather than obvious photographic error. Static areas should remain appropriately resolved so that blur feels caused by exposure and movement within a real scene.","light":"Use natural, directional and often subdued illumination with strong sensitivity to subtle changes in brightness. Light may appear tremulous, diffused, overcast, backlit or quietly directional rather than conventionally cinematic. Preserve luminous highlights, dense shadow regions and soft transitions between illuminated and unilluminated surfaces. Avoid artificial studio lighting unless the main prompt explicitly requires it.","exposure":"Permit restrained exposure irregularity characteristic of physically produced analog photography: slight underexposure, localized overexposure, luminous haze, deep shadow retention, uneven tonal response and subtle loss of information at image edges. Exposure variation should remain integrated with the scene and never become an obvious filter.","optical_character":"Introduce subtle optical uncertainty through gentle lens flare, slight veiling glare, soft focus transitions, imperfect edge definition, mild vignetting and localized atmospheric softness. These effects must remain restrained and physically plausible. Do not cover the image with uniform blur, glow or artificial lens effects.","photographic_process":"Allow the visual character of traditional gelatin silver photography to dominate the general photographic rendering. Where appropriate, incorporate selected characteristics of nineteenth-century collodion wet-plate processes, including liquid tonal transitions, glass-plate softness, deep blacks, delicate streaking, scratches, spots, pits and unpredictable exposure behavior. These historical-process characteristics must be used as physical photographic qualities rather than as decorative overlays.","print_character":"Make the final image feel like a physical fine-art photographic print rather than a digital file. Preserve a subtle tactile surface, organic tonal density, slightly matte photographic presence and delicate variation across the print. The image should retain the impression of a handmade photographic object while remaining highly detailed.","imperfections":"Allow controlled physical imperfections such as fine scratches, tiny pits, sparse dust marks, faint streaks, localized chemical irregularities, subtle emulsion defects, delicate edge darkening and occasional optical flare. Imperfections should occur irregularly and naturally, remain subordinate to the subject, and feel like genuine consequences of photographic materials and process. Avoid evenly distributed noise, artificial grunge, excessive damage or decorative distressing.","face_and_identity":"Preserve recognizable facial identity, facial proportions, natural asymmetry, eyes, nose, lips, jawline, cheek structure and distinctive characteristics exactly as defined by the reference and main prompt. Photographic softness must never become identity loss. Do not transform the subject into a generic vintage portrait or alter the person's underlying appearance.","skin":"Render skin with natural organic texture, pores, fine tonal variation and realistic surface response. Preserve subtle imperfections and anatomical structure. Skin may appear softly rendered because of large-format optics, film response or historical printing, but must never become plastic, waxy, airbrushed or artificially smoothed.","surface_and_texture":"Preserve rich tactile photographic information across physical surfaces: skin, hair, fabric, wood, stone, vegetation, metal, glass and environmental textures. Fine detail should coexist with areas of optical softness. Materials should feel physically present and naturally illuminated rather than digitally sharpened.","environment":"Preserve the environment, spatial relationships and visual logic defined by the main prompt. Render the surrounding world with the same large-format photographic sensitivity as the subject: nuanced textures, quiet tonal transitions, atmospheric depth and selective focus. Do not automatically replace the environment with rural landscapes, forests, Southern architecture, abandoned locations or other recurring subjects associated with Sally Mann.","composition":"Follow the composition, camera angle, framing, perspective, subject placement and spatial relationships defined by the main prompt. Preserve deliberate photographic framing and allow meaningful negative space, environmental context and asymmetrical visual balance where the main composition supports it. Reference images must not override the prompted scene composition.","depth":"Create depth through optical focus, natural perspective, tonal separation, atmospheric softness, environmental detail and gradual falloff rather than artificial cinematic depth effects. The foreground, subject and background should feel physically connected within a real photographic space.","detail":"Maintain extremely high photographic information density while avoiding artificial digital sharpness. Fine skin texture, hair, fabric, environmental surfaces and small physical details should remain believable where focus permits. Important areas may be highly resolved while peripheral or moving elements become naturally softer.","information_density":"Maintain high overall visual information density characteristic of a large-format negative. Do not simplify the scene into a nostalgic portrait or heavily degraded historical photograph. Detail should remain abundant and physically plausible even when the image contains optical softness, motion blur or process imperfections.","edges":"Prefer naturally occurring photographic edges created by focus, depth, lighting, material transitions and optical behavior. Avoid graphic outlines, artificial sharpening halos, illustration contours and hard digital edge enhancement. Some edges may dissolve gently into shadow, flare, motion or atmospheric softness.","atmosphere":"Quiet, intimate, contemplative, melancholic, mysterious, vulnerable and slightly uncanny. The image should contain a sense of emotional ambiguity and physical presence without imposing a specific narrative that is not present in the main prompt.","realism":"The final result must feel like a genuinely captured fine-art photograph made through a demanding analog photographic process. It should possess realistic optics, physically believable lighting, authentic material response and coherent photographic depth. The result must not resemble a digital image with a vintage filter, a painting, an illustration, a cinematic still, a generic film simulation or a fantasy artwork.","aesthetic":"Large-format fine-art analog photography, intimate photographic presence, rich monochromatic tonality, warm ivory highlights, deep organic blacks, selective focus, natural motion blur, antique optical character, subtle wet-plate influence, tactile photographic print surface, controlled imperfections, quiet ambiguity and physically convincing photographic realism.","negative_prompt":"digital photography look, modern smartphone photography, DSLR commercial look, hyper-sharp digital rendering, excessive HDR, extreme clarity, oversharpening, sharpening halos, generic vintage filter, Instagram filter, generic retro photography, fake film grain, uniform film grain, excessive scratches, heavy dust, dirty lens effect, artificial light leaks, excessive sepia, orange-and-brown color grading, colorful grading, neon colors, cinematic teal and orange, glossy commercial photography, fashion editorial photography, beauty retouching, plastic skin, waxy skin, excessive skin smoothing, beauty filter, artificial bokeh, synthetic depth of field, CGI, 3D render, digital painting, painterly rendering, illustration, comic-book art, graphic novel, anime, manga, cartoon, cel shading, concept-art illustration, stylized poster, graphic outlines, ink outlines, flat shading, excessive contrast, crushed blacks, blown highlights, excessive HDR halos, artificial vignette, decorative grunge, random distressing, fake paper texture, generic damaged photograph, excessive blur, excessive glow, dream filter, fantasy atmosphere, altered identity, altered anatomy, altered pose, altered composition, redesigned clothing, invented objects, invented environment, invented narrative elements, Southern landscape, plantation imagery, Civil War imagery, historical props, text, logo, watermark, signature.","final_result":"A highly atmospheric, physically convincing large-format fine-art photograph with the visual language of Sally Mann: intimate photographic presence, rich continuous monochromatic tones, deep organic blacks, luminous warm-neutral highlights, delicate optical softness, selective focus, restrained motion blur, antique lens character, subtle physical-process imperfections and tactile analog print materiality. The image must feel like a real, carefully made photographic object rather than a digital photograph processed with a vintage effect, while preserving the referenced identity and the complete scene defined by the main prompt."}}