Шпионская камера
ОПИСАНИЕ
Кадр с дешёвой миниатюрной шпионской камеры: плохая оптика, очень низкое разрешение, грязные цвета, шум, смаз, слабый динамический диапазон и сильная компрессия.
PROMPT
{"style_block":{"instruction":"Regardless of what is described in the main prompt, transform the image into an extremely degraded low-resolution CCTV surveillance video frame captured by a very cheap miniature consumer spy camera. The main prompt defines the scene and the final image must reproduce that scene exactly, while this style block replaces only the original image-capture technology with an extremely cheap surveillance camera. Any attached reference images are STRICTLY identity and appearance references only. They MUST NEVER be treated as the target image, source photograph, scene reference, composition reference, pose reference, camera reference, environment reference, lighting reference, clothing reference, object reference or framing reference. NEVER recreate, copy, transform, stylize or otherwise reproduce the reference photograph itself. Generate the final scene from the main prompt and use the reference images only to preserve the identity and relevant appearance of the referenced subject. Keep the exact original scene, camera position, camera angle, framing, crop, perspective, focal composition, subject placement, pose, environment, objects, clothing, lighting direction and all spatial relationships completely unchanged. Imagine that the exact same shot was captured from the exact same physical camera position, but the original high-quality Nikon camera was physically replaced with an extremely cheap miniature AliExpress-style hidden surveillance camera. DO NOT move, rotate, tilt, zoom, crop, reframe or replace the camera viewpoint. ONLY replace the capture device, optics, sensor, resolution, exposure behavior, color reproduction, dynamic range, fisheye distortion and video-compression quality.","input_priority":"The main prompt defines what is happening and what the final scene contains. Reference images define ONLY who the subject is and how that subject looks. This style block defines ONLY how the final scene is captured and rendered. The main prompt controls scene content. The reference controls identity and appearance. The original camera position, camera angle, framing, crop, perspective, subject placement and scene geometry are LOCKED and must not be changed. The reference image itself has ZERO authority over the scene.","reference_image_rule":"Reference images are identity capsules, not target photographs. Extract only identity, facial structure, body characteristics, hairstyle and other relevant appearance information from them. Ignore everything else visible in the reference: its background, location, lighting, camera angle, perspective, framing, pose, clothing, objects, composition and photographic style. Never use the reference image as the scene to be transformed.","camera_lock":"The virtual camera is permanently locked to the exact original position, height, orientation, focal direction, framing and crop defined by the main prompt or source scene. Reproduce the same shot as if the original camera hardware had been replaced in place. No ceiling-mounted viewpoint, corner viewpoint, overhead viewpoint, alternate surveillance composition, changed perspective or new camera location is permitted.","device_swap":"Replace only the original high-quality camera with an extremely cheap miniature surveillance or spy camera: tiny low-cost CMOS sensor, crude plastic wide-angle lens, primitive image processor, poor automatic exposure, severely limited color processing, extremely low effective resolution and extremely low recording bitrate. The physical scene does not change.","optics":"Use extremely cheap miniature-camera optics while preserving the exact original viewpoint and framing. Introduce soft optical resolution, weak edge definition, inexpensive plastic-lens character, mild chromatic aberration, low contrast, inconsistent sharpness and moderate barrel distortion with a slight fisheye character. Optical degradation affects image quality only and never changes the scene or camera placement.","fisheye":"Use a noticeable but controlled fisheye or barrel-distortion character typical of a cheap miniature spy camera. Straight lines near the edges may bend slightly outward and peripheral objects may stretch mildly. Keep the center of the original composition stable. Do not create an extreme GoPro look, circular fisheye frame or radically wider viewpoint.","resolution":"Make the recorded video EXTREMELY LOW RESOLUTION and immediately poor in quality, but keep the image visually continuous and photographic rather than pixel-art-like. The loss of resolution must appear as severe softness, smeared fine structure, collapsed micro-detail, reduced edge fidelity and generalized texture loss. Do not create visible individual square pixels or a deliberate pixel grid.","video_resolution":"Simulate genuinely terrible low-resolution surveillance footage with very little recoverable image information. The image should resemble a small, heavily degraded video frame that has been enlarged for viewing: soft, mushy, smeared and information-poor, with severe loss of fine detail. The source recording itself was low quality; do not imitate low resolution by overlaying visible pixel blocks.","detail_loss":"Aggressively destroy fine visual information through tiny optics, tiny sensor, low effective resolution, primitive processing and severe compression. Individual hair strands disappear, eyelashes and pores vanish, fabric weave collapses, foliage becomes soft organic masses, small objects lose precise boundaries and distant structures become indistinct. Preserve larger shapes and recognizable forms without reconstructing missing micro-detail.","compression":"Use EXTREME low-bitrate surveillance-video compression with mosquito noise, ringing, chroma subsampling, quantization artifacts, soft block-edge breakup, temporal smearing and severe loss of fine information. Compression should primarily manifest as blur, smearing, edge contamination, ringing and detail collapse rather than a visible pixel mosaic.","compression_character":"Make compression visibly destructive but continuous. Fine structures should bleed into nearby regions, high-frequency textures should smear, contrast edges should develop faint ringing and motion areas should develop temporal trails. Avoid turning the image into a mosaic of obvious square blocks.","sensor":"Use a tiny inexpensive sensor with very poor low-light performance, strong electronic noise, chroma noise, fixed-pattern noise, weak color fidelity, crude denoising and unstable tonal response. The sensor must visibly degrade the image while preserving exact scene geometry.","exposure":"Use crude automatic exposure with very limited tonal latitude. Bright regions clip quickly, dark regions become noisy and muddy, and exposure transitions are coarse and imperfect. Preserve the original physical lighting arrangement; only the camera response changes.","dynamic_range":"Use VERY LOW dynamic range. Highlights clip easily and shadows lose detail rapidly. Do not use HDR, highlight recovery or artificial shadow lifting.","color":"Use a severely restricted, low-chroma CCTV color response. Colors should be dirty, weak, muddy and poorly separated. Nearby hues may collapse into similar shades. Allow a slight greenish, yellowish or bluish cast caused by cheap white balance and sensor behavior.","color_depth":"Simulate very poor color depth and severely limited chroma resolution. Fine color transitions disappear, shadow colors become noisy or contaminated and highlights lose accurate color information.","contrast":"Use crude, narrow tonal reproduction with weak midtone separation, clipped highlights and noisy dark regions. Avoid cinematic grading or polished photographic contrast.","noise":"Use strong ugly electronic sensor noise, chroma noise, fixed-pattern noise, low-light noise and quantization noise. Noise must look digital and surveillance-specific rather than like film grain.","motion":"Keep the exact original camera viewpoint and apply poor surveillance-video temporal rendering. Moving elements may show heavy motion smear, frame blending, ghosting and compression trails while the camera itself remains completely stationary.","interlacing":"Allow visible low-quality interlacing and field artifacts in motion: horizontal line breakup, combing, field softness and temporal mismatch. These remain inside the camera image itself.","sharpness":"Strongly suppress modern optical and digital sharpness. The image must be visibly soft, smeared and information-poor. Do not compensate with AI sharpening, clarity enhancement or reconstructed micro-detail.","background":"Keep the exact original environment, architecture, objects and spatial relationships. The background may become severely soft, noisy, compressed and indistinct, but its geometry and composition remain unchanged.","depth":"Keep the exact original perspective and spatial depth. Do not introduce a new CCTV composition. Any loss of depth information must result solely from cheap optics, low resolution, compression and limited dynamic range.","composition":"Preserve the exact original composition, camera viewpoint, subject placement, crop, perspective and scene structure. This is a camera-hardware replacement, not a re-shoot from a surveillance location.","graphic_restriction":"The output contains ONLY the actual camera image. Absolutely no text, letters, numbers, timestamps, dates, timecodes, REC indicators, recording dots, camera numbers, labels, motion-detection boxes, face-detection boxes, crosshairs, HUDs, OSDs, menus, borders, grids, subtitles, captions, logos, watermarks, interface elements or other generated graphics.","realism":"The final result must look like the exact original shot captured by an extremely cheap miniature surveillance or spy camera with terrible native video quality. The scene, composition and viewpoint remain correct; only the technical quality of capture becomes dramatically worse.","aesthetic":"Extremely cheap AliExpress-style miniature spy camera, hidden CCTV, tiny CMOS sensor, genuinely terrible low-resolution video, severe softness, mushy fine detail, strong compression, muddy low-chroma colors, very low dynamic range, clipped highlights, noisy shadows, electronic noise, chroma noise, temporal smearing, interlacing, ringing, chroma bleeding, moderate fisheye barrel distortion, cheap plastic optics and unmistakable low-quality surveillance capture.","negative_prompt":"pixel art, pixelated image, visible square pixels, giant pixels, pixel grid, deliberate pixel mosaic, 8-bit graphics, 16-bit graphics, retro game graphics, sprite-like appearance, blocky pixel rendering, changed camera angle, changed viewpoint, moved camera, ceiling camera, corner camera, wall-mounted perspective, overhead surveillance angle, alternate framing, changed crop, zoomed framing, extreme fisheye, circular fisheye, GoPro look, radically wider viewpoint, new perspective, redesigned composition, new scene, altered environment, altered subject placement, altered pose, invented objects, cinematic surveillance shot, high-resolution photography, HD video, Full HD, 4K video, high-resolution surveillance, DSLR quality, Nikon quality, premium optics, sharp modern lens, clean digital image, high dynamic range, HDR, wide-gamut color, vivid clean color reproduction, professional security camera, high-end CCTV, film grain, analog film, VHS, MiniDV, camcorder look, digital painting, illustration, 3D render, CGI, artificial sharpening, AI detail reconstruction, text, letters, numbers, timestamp, date stamp, timecode, REC, recording indicator, red recording dot, camera ID, channel number, motion detection box, face detection box, tracking box, HUD, UI, OSD, menu, subtitles, captions, logos, watermark, signature, border, grid, interface graphics.","final_result":"The exact original shot, captured from the exact original camera position and perspective, as though a high-quality Nikon camera were physically replaced by an extremely cheap AliExpress-style miniature surveillance or spy camera. NOTHING about the scene, composition, camera position, framing, crop, perspective, subject placement or environment changes. ONLY the capture quality changes: genuinely terrible low-resolution video, severe softness, major loss of fine detail, mushy textures, soft smeared edges, moderate fisheye barrel distortion, cheap plastic optics, extremely poor dynamic range, aggressively clipped highlights, noisy shadows, severely restricted color depth, dirty low-chroma colors, strong electronic noise, chroma noise, visible interlacing, severe compression, ringing, chroma bleeding and temporal smearing. The video must look genuinely poor and low-resolution, but remain a continuous photographic image rather than pixel art or a visible pixel mosaic. ABSOLUTELY NO TEXT, NUMBERS, REC ICON, TIMESTAMP, UI OR GRAPHICAL OVERLAYS."}}